![]() ![]() The groove of a song comes from the pocketing around the grid, not necessarily from being spot on every time. Yes, you can stretch your audio to fit perfectly into place. Yes, there are situations where editing to a click is a good idea, especially in modern production. Just like a musician is capable of losing a groove by playing to a click, an engineer can kill that grove by editing to one. PRO TIP: If they can’t even keep in time with themselves, they might not be ready for the studio just yet. Tools like Beat Detective in Pro Tools make this process easier than ever. If their tempo is consistent, you might be able to record sans-click and map the tempo out later. Musicians that aren’t comfortable recording to a click might be more accepting of a groove played by their bassist or drummer – a sound they’re much more familiar with.Īs a last resort, if you can’t seem to get anyone to play to a click consistently, consider tapping out the performance on your own as the drummer or another band member plays on his or her own. Once you’ve laid that foundational track, the rest of the recording process can be done with the click pushed way off in the background (or removed completely if it’s a nuisance). Chances are that between the two of them, you’ll find a consistent take to work with. Bass drives the rhythm section of a song as much, if not more than a drummer. If it’s clear that the drummer can’t find his place with the click, move on to the bassist. They learn their fundamentals to a click track or something similar. ![]() Many drummers start learning to play to a metronome from a young age. If you find yourself working with a band that’s struggling to record to a click, see if the drummer is able to hold his or her own with it. Without some idea of the right tempo, your grid goes out the window. It’s not just for your musicians – you need to know the tempo and the changes for things like time-based effects and section markers. When you’re in the studio recording, it’s essential that you try to start with a click each and every time. So where do you draw the line on when to use a click and when not to? During Tracking Others have an even harder time keeping a steady pace with a click in their ear – constantly lagging behind and then overcompensating by speeding ahead. They become overly robotic and lose whatever it is that humanizes their sound. Some musicians will become so intently focused on sticking with the click that their performance loses its essence. Of course, there are times where the click does more harm than it does good. While drummers tend to be the most effective at recording to a click, everyone from the bass player to the vocalist can benefit from having a metronome assist them in keeping time. Recording to a click track can be essential – especially if you’re tracking instruments independently due to any type of limitation. ![]() Click tracks and other types of metronomes are great ways at keeping musicians in time in the studio. ![]()
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